It is now over a month since the murderous attack on the offices of Charlie Hebdo; since the ensuing siege, the solidarity marches and vigils, the seemingly endless outpourings of opinion and comment; and a month since the publication of the special issue of Charlie, financed by the French state to the tune of 3 million copies. The dust has settled somewhat, the news cycle has moved on, but the reverberations continue to thrum in the background.
Typically, the cover image of this special issue was controversial. It portrays the Prophet Muhammad holding a ‘Je suis Charlie’ placard and shedding a tear. The caption above him reads ‘All is forgiven’. If the wording is ambiguous – who is forgiven? Who is doing the forgiving? – the image is ambivalent. It simultaneously distances the Prophet and, by extension, ‘ordinary’ Muslims from the terrorists that committed this atrocity in his name, and at the same it mocks those same ‘ordinary’ Muslims by offending their belief that the Prophet should not be visually represented. This doubleness – some might call it duplicity – warrants further investigation because it raises some very important and awkward moral questions that have not yet been posed.